The lush, contemplative and trance-like sound of the eponymous first track of the album gracefully illustrates this new direction. With Pharoah Sanders taking over the saxophone duties, Journey in Satchidananda was released in 1970.
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Inspired by the song form found in Indian classical vocal music, drone instruments like the Indian Tanpura provided the background to free form textures and melodies on the harp and saxophone. These recordings fostered the emergence of a whole new sub-genre within the free-jazz and avant-garde movement which various critics have labelled either “cosmic”, “transcendental” or “astral jazz”. Alice Coltrane – Journey in Satchidananda (1970) Over the years, her continuous spiritual quest led her to embrace Indian and Middle-Eastern philosophies which translated musically into a string of beautiful idiosyncratic jazz fusion albums (mainly on the Impulse! record label) such as Ptah the El Daoud or Journey in Satchidananda between 19. Originally released in 1972, Lord Of Lords was Alice Coltranes final album for Impulse and the last installment in her awe-inspiring trilogy that also included Universal Consciousness and World Galaxy. Like John Coltrane, she was born and raised as a Christian.
Alice coltrane harp album full#
Following the death of John Coltrane in 1967, Alice Coltrane (1937-2007) took over her husband’s spiritual quest and musical explorations. One of Alice Coltranes most ambitious albums of the early years - recorded with a full set of heavenly orchestrations The core group features Alice on piano, organ, and harp - alongside Frank Lowe on saxes, Reggie Workman on bass, Leroy Jenkins on violin, and Ben Riley on drums. Brian Lehrer: Despite the ethereal sounds of harp and saxophone that we heard in the intro to the segment, and we'll play a few more track excerpts from Alice Coltrane's Journey In Satchidananda as we go, despite those ethereal sounds of harp and saxophone from that title track and in the whole album, it was born out of grief we should say.